Depeche mode album covers series#

вЂIвЂ™m trying to figure out with the sisters quite where the beef isвЂ™: Keith Richards on Rolling Stones decision to drop Brown Sugar.вЂњHe was, ahem, because of his вЂlifestyleвЂ™ at that time, very, very energetic and exhausting to work with вЂ“ and you can put that between inverted commas. You couldnвЂ™t call him Iggy, heвЂ™d be very angry if you did,вЂќ says Griffin. Wild, feral and mannered, they seem like foundational texts for his later cult image.

Depeche mode album covers series#

Similarly evocative is the barbershop photocall he did with The Specials ahead of their first record, a series of images so iconic theyвЂ™ve accompanied every retrospective of their work for 40 years, but perhaps none are so emphatic as the shots he took of Iggy Pop. вЂњThey ended up on two album sleeves, inner sleeves, press shots, everything.вЂќ His work with Elvis Costello was rejected by his employer, the Sunday Times, but was subsequently bought by the singerвЂ™s management and used on his releases for years afterwards. Some of the photographs are early, formative snaps of much-loved figures, imagery that has stayed with them ever since. The resulting show, Pop, takes its title from his book of the same name, and pulls together shots of everyone from Elvis Costello and Iggy Pop to Depeche Mode and Kate Bush, not to mention nearly every major musical player of the time in between.Д®lvis Costello. WeвЂ™re speaking on the eve of a major retrospective of his work at this yearвЂ™s Belfast Photo Festival, where his iconic imagery of the period will be collected in one place for the viewing public. I thought, Why not photograph some of these bands? They looked a bit like businessmen then.вЂќ This was вЂ™77, post-punk so a lot of them were dressing in suits, a little like the guys I was photographing for business magazines. I was doing portraiture for business publications. вЂњI just wanted to expand my subject matter. Despite being one of the foremost documentarians of late-20th-century music, Brian Griffin is not sentimental about his role in cataloguing many of his eraвЂ™s biggest names.